They are what they are. After you’ve broken all the rules, what comes next? Yet he doesn’t seem particularly worried with the future arc of his career. Now 55, with gray hair and slight stoop, Mr. Castorf is still the director of the Volksbühne. and fantastic or really stupid.”Of the acting troupe Mr. Schaper said: “The biggest difference is they don’t pretend. Sort of, ‘Yeah, he’s a nut case, but he’s not really political.’ ” He made ends meet with odd jobs and freelance directing.
Otherwise you don’t survive the next pogrom.” Ms. Gysi invited her father to Mr. Castorf’s politically questionable premieres; when Mr. Castorf was fired from his position as director in Brandenburg in 1979, her brother, Gregor Gysi, a laywer at the time and now a well-known politician, defended Mr. Castorf in a lawsuit. En son absence, le vizir Acomat complote pour mettre Bajazet, alors emprisonné, sur le trône.
Castorfs Volksbühne, ganz wie man sie kennt: Mit dem ikonischen Räuberrad auf der Rasenfläche vor dem Theater. At the end of this grueling process the group runs through the improvisations that Mr. Castorf liked best, adding music, other texts, video and more.
(The suggestion that he should was made by one of his biographers, the theater critic Robin Detje, after one particularly long interview with Mr. O.K., no!’ ” The solution? Darkslide #1 — 9. 28 Kommentare Seite 1 von 4 Kommentieren . He still finds work consuming. While Mr. Castorf wasn’t allowed to work for political reasons for a period, he was never jailed.
As a result the plays, in addition to being densely political and intellectual, are quasi-autobiographical. He took it all to the limit.”Carl Hegemann, who formerly worked with Mr. Castorf as a dramaturg, said the only endeavor that made sense for him at this point was to direct a traditional play. Neueste zuerst Nur Leserempfehlungen. Castorf was born in East Berlin in 1951.
“I read my Stasi files,” said Mr. Castorf, shrugging.
“His method is exhausted.”Rüdiger Schaper, the theater critic for the newspaper Tagesspiegel, said: “We’re tired of nudity. They won the case.
“It’s also a family — a growing family — of Castorf girlfriends.”There is more than one former girlfriend in his ensemble, and they often star (sometimes side by side) in his plays. And Ms. Gysi recently joined the Volksbühne as the artistic director.In an e-mail message, Mr. Castorf commented on his reputation as a womanizer: “I like women.
Then it’s dumped recklessly, with humor and sadism, on the stage.” “I don’t have to go to an analyst,” he added. The core group has been together for more than a decade; some have been with him for 25 years or more. “Frank said: ‘Do this, go over there, come on, help him!
The choir consisted of theater technicians, stage hands, cashiers and other behind-the-scenes workers who came onstage and sang. “They were always excusing me. Sitting in his wood-paneled office in front of a framed poster of Stalin, he said he trusted his “eruptive” inner logic to guide him, just as it had done his whole life. Eroticism is stimulating — I’m not the only one who knows that.” Ms. Gysi, said she was eager to see what this next stage of life brought for Mr. Castorf.
“In the last years he’s had less success,” said Barbara Burckhardt, an editor at Theaterheute. “Then we had it,” Mr. Peschel said. Et la confronte à la puissance des mots d’Artaud.Frank Castorf pourrait bien apparaître comme le maître du théâtre allemand si son esprit rageur et sa verve iconoclaste It has a family feel to it. “He’s at an age where you become more reflective,” she said. Under his direction, actors ignored huge portions of the classical texts they performed, stripped naked, screamed their lines for the duration of five-hour productions, got drunk onstage, dropped out of character, conducted private fights, tossed paint at their public, saw a third of the audience walk out as they spoke two lines at an excruciatingly slow pace, may or may not have induced a theatergoer to drink urine, threw potato salad, immersed themselves in water, recited newspaper reports of Hitler’s last peacetime birthday party, told bad jokes, called the audience East German sellouts and appeared to but did not kill a mouse. So in the production, the characters did just that. His latest piece at the Volksbühne was a shortened version of Wagner’s opera “Die Meistersinger” (“Hitler’s favorite,” he noted), which he interspersed with texts from Ernst Toller, a Jewish writer who escaped Nazi Germany and hanged himself in a New York City hotel room in 1939.
“I’m very interested to see how he gets older.” Outrageousness, Herr Director, Is a Tough Act to FollowMr. Castorf, the director of the Volksbühne in Berlin. Dr. Hegemann remembered that “one time he hung a life-size doll of himself in the second act, and people still didn’t get it that it was all about him.”Mr.
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